Wandering Walls Architecture
Gavin
The Vision

A Concrete Poem in the Wilderness | A World-Class Architectural Rarity

Some buildings are built for habitation, while others are built to define the landscape. Selected as one of ArchDaily's Best Architectural Projects of the Year, Wandering Walls is not merely a retreat; it is an international landmark in Hengchun Peninsula that coexists with wind, light, and the earth.

In 2008, during a journey around the world, Gavin conceived the idea of creating an ideal living space. He spent two years searching until he found this quiet hill overlooking the sea in the northwest corner of Kenting. In 2012, he invited renowned architect Grace Cheung to embark on a structural experiment defying gravity amidst this acacia forest and the strong downhill winds.

"This is not just a guesthouse; it is a wilderness collection that took seven years to build and can never be replicated."
Structural Logic
01 / Structural Logic

Roaming Structure: Vertical Misalignment

The most striking achievement of this building is its "discontinuous walls." Unlike traditional beam-and-column systems that align vertically, XRANGE Architects employed the highly challenging design of Vertical Misalignment. Three curved walls weave independently through different floors without overlapping, moving like ribbons through the slabs. This not only defines the distinct views for the eight rooms but also allows the architectural volume to visually dissolve into the acacia forest. This breakthrough design also won the Rethinking The Future Award for Hospitality (Built).

Lo-Res Texture
02 / Materiality

Lo-Res Aesthetics

Facing the rugged terroir of Hengchun, the architect pursued a texture of Lo-Res Curves. The flowing wood grain texture on the walls is not accidental but the result of precise calculation. We used custom-sized formwork to assemble molds following the curvature of the walls. The process of concrete setting within the forms faithfully recorded every detail of the wood grain, giving the cold architectural surface a warm touch and expression.

Defying Gravity
4.5m Cantilever Structure

In the stairwell, the curved wall boldly cantilevers 4.5 meters outward from the second and third floor slabs. This "flying wall," with no ground support, challenges gravity structurally, while visually creating a breathtaking sense of floating, framing the acacia forest and the horizon into a flowing painting.

Echo Chamber
Resonance of the Wind

The windowless side of the building is a windbreak shell born to resist strong downhill winds. The cantilevered flying wall structure forms a massive vertical Echo Chamber. It captures and amplifies the rustling sound of the wind blowing through the acacia leaves, making "listening to the wind" the most profound sensory experience at Wandering Walls.

Tactile Landscape
Sculpted by Wind

The ground-floor walls float above the surface, allowing the red earth of the courtyard to extend naturally indoors. As seasons change, the fierce downhill winds constantly strip away red dust from the walls, making the windward concrete smooth while the leeward side retains its rough texture. This is an architecture "sculpted" by the wind.

Grace
Cheung
張 淑 征 Founder / XRANGE Architects
The Architect

Grace Cheung is not only a contemporary architect but a pioneer writing history.

In 2021, the American Institute of Architects (AIA) awarded her the International Design Award, making her firm the first in Taiwan's history to win this award, and making her the first Chinese female architect to receive this honor.

A graduate of Columbia University's Graduate School of Architecture, she has worked with Pritzker Prize laureate Rem Koolhaas (OMA), Bernard Tschumi in New York, and Patkau Architects in Canada. With precise structural aesthetics and an avant-garde fluid vision, she crafted Wandering Walls into an architectural rarity that dialogues with the world. Collecting Wandering Walls is collecting a piece of history where Taiwanese architecture steps onto the global stage.

★ 2021 AIA International Design Awards Columbia University M.Arch AIA Member
Global Recognition

From the Wilderness to the World

The birth of Wandering Walls was an adventure defying gravity and commercial logic. Yet, this ultimate pursuit of architectural craftsmanship eventually won the world's attention.

The world's most influential architectural authority, ArchDaily, selected 104 most inspiring contemporary buildings from over 40,000 international projects published over the years, including them in the architectural bible The ArchDaily Guide to Good Architecture.

This is not just an award, but a historical record of architecture. In this list of the world's top 100, Wandering Walls is the only selected project from Taiwan.

Opening the pages, we stand alongside Pritzker Prize laureates like Kazuyo Sejima (SANAA), Alejandro Aravena, and Renzo Piano. This proves that even on a red earth hill on the southern border, with enough humility towards the land and persistence in design, our "flying walls" and "vertical misalignment" aesthetics constructed from fair-faced concrete possess the height to dialogue with the world's top architecture.

Subsequently, the authoritative Swedish publisher Braun included Wandering Walls in Contemporary Architecture: Masterpieces around the World. It has also been featured by VOGUE, GQ, ELLE, and Home Journal, establishing it as the premier choice for "Secluded Luxury" in the wilderness for high-net-worth travelers.

Architect Grace Cheung / XRANGE
Completed 2019
Area 490 m² (Building) / 2,880 m² (Site)
Atmosphere

The Gaze and the Everyday

Atmosphere 1 Atmosphere 2 Atmosphere 3 Atmosphere 4 Atmosphere 5 Atmosphere 6
Curator's Note

Some buildings are like an unsigned love letter—not designed for anyone, nor in a rush to explain themselves. They simply stand there, letting the wind pass through their bodies, letting the light dance upon their surfaces. There is no language here, yet everything has a voice.

Wind becomes a curve; light is tone; water is breath. A curved wall, a streak of light, a pool of water—these are sentences written by time.

After the age of thirty, one no longer seeks the bustle, no longer obsesses over possession, but rather inclines towards—drawing near, and simply coexisting in silence.
In youth, we lived too forcefully, approached too cautiously. Now, we only wish to be "comfortable": just the right fit, just enough room to breathe, just enough to anchor the soul, no longer floating above human connections.

The further one walks, the more one learns to keep just the right distance from the world. At least when the curtains rise, the sunlight enters, and the heart need not be held too tight. Regardless of the environment or relationship, one only desires a place to be—where there is no need to speak, no desire to leave, only the presence that breathes with you, without the need for careful maneuvering.

Here, you will slowly lose those desires you once thought were important.
No more urge to scroll through phones, no rush to take photos for posting. You only want to focus on one thing: living fully in the moment.

Wandering Walls is like a kingdom standing in a pure land. There is no noise, no expectation for you to perform. It only provides air, light, architecture, and wind. The rest is up to you to decide how to live.

You can idle away in the wind of the lobby, hang in the outdoor hammock basking in the sun, space out on the swing, or go up to the roof to soak in the water, gazing at the boundless embrace of mountains and sea.

Here, everything is just right. Nothing more is needed.

Amber, 2025
Located in Hengchun, Taiwan / 22°02'N 120°43'E